"They Can't Speak": Oppenheimer Screening Reactions Detailed, Audiences Left With "Element Of Fear" Per Nolan


Oppenheimer director Christopher Nolan describes the effect that his upcoming historical epic is having on audiences during early screenings, with some people having a strong emotional reaction. Based on the life and career of American theoretical physicist J. Robert Oppenheimer, Nolan's upcoming film chronicles the creation of the first atomic bomb during the Second World War. With its R rating and its exploration of a real person's life, the film is already shaping up to be quite a departure from Nolan's previous movies.

Ahead of the Oppenheimer release date next month, Nolan talks about how early screenings of the film are going in a recent interview with Wired. The director reveals that there has been a particularly strong response so far, both in terms of the fear the film has inspired but also in terms of the audiences' relationship to the characters. Check out Nolan's full comment below:

“Some people leave the movie absolutely devastated. They can't speak. I mean, there's an element of fear that's there in the history and there in the underpinnings. But the love of the characters, the love of the relationships, is as strong as I've ever done.”

How Oppenheimer Could Be Different From Past Nolan Movies

Aside from earlier films like Memento and Insomnia, Nolan has mostly been focused for the last 20 years on making big-budget blockbuster fare. The films often feature a lot of action and also frequently incorporate elements of science-fiction. Oppenheimer, while boasting a big budget, doesn't seem like a film that will feature either of these elements.

Instead, Nolan will seemingly dig into character like he never has before, exploring one man's life under a microscope as it relates to one of the most dangerous creations in all of human history. If audiences are indeed leaving screenings feeling fearful, the movie could be tapping into ideas regarding humanity's destruction in a thoughtful and serious way. This unique approach hasn't just proven affecting for general audiences but for historian and Oppenheimer biographer Kai Bird as well, whose recent review of Oppenheimer suggests that the film could actually start a national conversation about issues relating to technology and science.

Oppenheimer is also rated R, Nolan's first film to earn the rating since 2002's Insomnia. This means that the film could dig into the deeper and darker aspects of its title character's life and won't shy away from the ugly details that often can't be included in films with his usual PG-13 rating. Many questions remain about Oppenheimer, but Nolan's latest update is sure to only increase the level of anticipation for his next movie.

Source: Wired
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REVIEW: The Last of Us Season 1 Episode 8 Veers Into Bloody Horror


Coming off two relatively low-key episodes -- at least as far as The Last of Us is concerned -- the hit HBO original series' eighth episode veers into straight horror for the season's penultimate episode. Titled "When We Are in Need," the episode pits Ellie against her most nightmarish threat yet and shockingly, it isn’t the clickers this time around. A slow burn sequence that quickly builds into the most harrowing sequences in the series thus far, The Last of Us doesn’t necessarily lean into the outright heartbreaking moments from preceding episodes but also doesn’t pull its punches as the season finale looms into focus.

Though Joel’s condition has stabilized after being stabbed by scavengers, his health remains precariously fragile as he continues to recover in the abandoned house. While out foraging for additional supplies, Ellie encounters a community that has managed to survive the harsh winters in the mountains. Unbeknownst to Ellie, the scavengers that nearly killed Joel are from the same community that she crosses paths with, with the hunters out to avenge the loss of one of their own to the cross-country travelers.


Much of "When We Are in Need" hinges on the audience knowing more than Ellie, with viewers aware that she and Joel are the pair that the hunters have been vengefully searching for. This awareness of the antagonists' true intentions raises the suspense considerably before the pent-up pressure inevitably explodes into some of the bloodiest scenes in The Last of Us to date. Much of this tension is made possible by guest stars Scott Shepherd and Troy Baker -- Baker having originated the role of Joel in the video game -- who can alternate between soft-spoken calm to haunting menace in the blink of an eye as the true nature of their characters surfaces.

After spending much of the preceding episode sidelined, it feels great to see Pedro Pascal back in action as Joel, forced to get back on his feet with the hunters literally at the door. Joel's brooding side and inner demons have been explored thoroughly in the earlier episodes and Pascal brings a brutally efficient intensity to Joel as the character operates without Ellie nearby to witness how lethal he can truly be. On a purely fan-service level, it is a shame that Pascal never gets to share scenes with Baker though it doesn’t quite make sense for the story being told here.


Picking up from the preceding interlude, much of the episode's first half and final scene are told from Ellie’s perspective, with Bella Ramsey living up to the horrific material they’ve been given. Ramsey has been consistently good all series, especially with the preceding week's extended flashback to Ellie’s tragic backstory in Boston, but Ramsey gets to mix grit with emotional trauma as Ellie does her best to survive the terror of the hunters’ community. This brings Ramsey’s performance to even rawer areas than prior episodes and the actor more than lives up to the challenge presented.

On a surface level with its very premise, The Last of Us is post-apocalyptic horror, if not as unrelentingly grim as its contemporaries. "When We Are in Need" is a stark reminder that this is indeed a scary show at times, and it does it without a clicker in sight, instead relying on suspense, bloody violence and a terrifying showcase for the depravity of the human condition. With only one episode left this season, it will be interesting to see how The Last of Us closes out its inaugural story, either continuing with the intense momentum or pulling back just enough to let the audience breathe before it inevitably breaks their hearts.

Created by Craig Mazin and Neil Druckmann, The Last of Us airs Sundays at 9 pm ET/PT on HBO, with episodes available to stream on HBO Max.

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