The Boys' Version of Iron Man Is Its Most Unique Hero (& It's Not Close)


Arguably the entire point of The Boys is to mock superheroes in the most grisly and insulting ways possible, which includes shining a light on the fact that they, too, can be terrible people, and given that they’re super, they’d be the worst kind of terrible. However, The Boys’ parody of Iron Man actually stands out in that regard, making him The Boys most unique hero (by far).

The Boys’ version of Iron Man is named Tek Knight, who’s actually more of a cross between Batman and Iron Man, but who is easily more reminiscent of Tony Stark given his fully mechanical suit of armor (both in aesthetic and function). However, there’s one main difference between Iron Man and Tek Knight that’s a bit disturbing: Tek Knight has an uncontrollable desire to be sexually intimate with basically anyone or anything in front of him. It’s for this reason that he can’t have a sidekick, and doesn’t even work with other superheroes, because he knows how little control he has over his urges and doesn’t want to assault anyone as a result. And that, right there, is why Tek Knight is different from practically every other supe in The Boys universe: he’s actually a good guy.

Tek Knight Is One Of The Only Good Supes In The Boys


In The Boys #7-10 by Garth Ennis and Darick Robertson, Tek Knight is introduced and his story arc is told in its entirety. The issues go into how Tek Knight doesn’t have any superpowers (like his Iron Man and Batman Marvel/DC counterparts), but still wanted to be a hero in a world where only those with powers can seemingly make a difference. However, it was during his escapades with other heroes that he learned of his debilitating disease, and essentially had to retire as a result. The idea of a superhero with a sex addiction so intense that they can’t have a sidekick or work with other superheroes for fear of assaulting them (which he regrettably did to his own butler) is undeniably gross and deviant. However, the tragic truth of the situation was that Tek Knight’s urges came from a brain tumor, meaning he had absolutely no control over himself or the urges that plagued him.

Not only did Tek Knight suffer from a brain tumor that essentially turned him into an aggressive sex addict who’s unfit to even be around other people (a brain tumor readers eventually learn is terminal), but he actively fought to keep others around him safe from himself. When it became apparent that he couldn’t control himself, Tek Knight immediately separated himself from those around him, and went into isolation for their sake. Any other supe in The Boys would not have been that accommodating, as most other supes are regularly shown engaging in violent sex acts throughout the series with no remorse for the damage they cause as a result. Tek Knight physically can’t help his condition, but even still, he took full responsibility for it and implemented measures to keep those around him safe, proving that he’s actually a good person in a world filled with superheroes who are decidedly not.

It seems as though Tek Knight may be adapted in The Boys live-action series, and if that’s actually the case, then the truest depiction of his nature needs to be translated from the comics to the show, which is something that separates this Iron Man parody from practically every other supe in The Boys: Tek Knight is actually a good person.
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The Boys Season 4's New The Seven Team Teased By Vought Ahead Of SDCC Panel: "The Seven Has NEVER Been Stronger"


Ahead of their scheduled panel at 2023’s San Diego Comic-Con, The Boys season 4 has teased a new line-up for their Vought superhero team known as The Seven. Throughout the events of The Boys season 3, Vought’s premiere superhero team led by Antony Starr’s Homelander saw its ranks significantly diminished. In addition to Starlight’s defection from Vought’s ranks, season 3 also saw Dominique McElligott’s Maeve fake her own death and Homelander kill Black Noir in a fit of rage.

With a few months now gone since production wrapped, the official Twitter account of the fictional corporation Vought International is hinting at revamped team line-up for The Boys season 4.

Featuring an image of the three remaining members of The Seven, Homelander, A-Train, and The Deep, the edited season 2 image also includes a returning Black Noir, whose death is set to be covered up by having a new Supe take his place. The post also promises that Homelander is busy searching for more Supes to join his team’s ranks.

Who Will Join The Seven In The Boys Season 4?

With The Seven now looking for three new members to bring the team back to its full strength, audiences are keen to know who will be joining the show’s roster of corrupt superheroes. Two of those three vacant slots are most likely going to be taken by a pair of new characters that were first announced in October last year. Orange is the New Black’s Susan Heyward and The Lost Symbol’s Valorie Curry have previously been announced as two new Supes, known respectively as Sister Sage and Firecracker.

At the moment, little is known about Heyward and Curry’s characters, both of which are original characters with no direct correlation in the original comics. The bigger mystery will be who is destined to fill the seventh and remaining slot on the team. While it seems unlikely that Jensen Ackles’ Soldier Boy would be in the running to round out the team, another option may be the mysterious unnamed character played by Jeffrey Dean Morgan. With many fan theories postulating his potential casting as the Supe Tek Knight, he could be a good contender.

Another option may stem from the upcoming spinoff series Gen V, which will introduce a younger generation of Supes training at Godolkin University School of Crimefighting. With the spinoff set to arrive before The Boys season 4, it is possible that this new series may even introduce an up-and-coming Supe graduate who moves across to the flagship show. Either way, audiences may learn more when The Boys make their appearance later this month at the SDCC.

Source: @VoughtIntl/Twitter


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The Boys Stars Recount the Chaos of Shooting Herogasm


The Boys stars Erin Moriarty and Jensen Ackles explained how shooting the superhero series' infamous "Herogasm" episode took its toll on both the cast and crew.

Per Variety, during a Prime Video FYC panel, the two stars discussed their experiences filming "Herogasm for The Boys Season 3. "It was like walking into an orgy house," Moriarty said. She further described how the set was plagued by a variety of adult toys then. "There were things and shapes that I thought, 'These would pierce an organ, most people wouldn't survive them.' But of course, they exist," the actor continued. "I don't understand, but I learned a lot." Ackles later claimed that Moriarty "looked like [she] had just come out of war" while filming "Herogasm."


What Jensen Ackles Recalls From Herogasm
As for Ackles himself, the Soldier Boy actor explained how crew members behind the cameras were not spared from the grueling experience either. "When I saw our camera operator outside, he was just staring at the ground," Ackles recounted. "I went up and said, 'Hey Liam, what's up, how's it going up there?' And he said, 'I've seen some shit man.' He was traumatized, and they did not prep me either." Ackles said the set began to "smell like old sex after a while," and admitted that nothing could have prepared him for the shoot. He continued, "There's some shit that I shot that didn't even make the final cut and I'm like, 'Really, you made me do that, you knew you weren't gonna use it, but you made me do that anyway?'"

Inspired by the titular tie-in miniseries for the original The Boys comics created by writer Garth Ennis and artist Darick Robertson, "Herogasm" remains one of the most infamous episodes of Prime Video's television adaptation. As its name implies, the episode involves a superhero orgy and features some of the most graphic scenes of the entire show. However, unlike the Herogasm comic miniseries, the episode also shows fans a major, choreographed standoff between Ackles' Soldier Boy, Homelander (Antony Starr), Billy Butcher (Karl Urban) and Hughie Campbell (Jack Quaid).

The Boys Showrunner on Why Herogasm Needed to Be an Event
The Boys showrunner Eric Kripke previously discussed how he envisioned "Herogasm," stating that the notorious episode needed to be a major event for The Boys Season 3. He explained how he wanted Herogasm to leave a strong impression on fans without relying solely on its graphic content. "It's every bit as shocking as [fans] are expecting it to be, but not at all in the way they think it's going to be," Kripke said in May 2023. "And that was really intentional; I enjoyed having something that had that much event in it."

All three seasons of The Boys are available to stream on Prime Video. Filming on The Boys Season 4 has wrapped, but when it will release is unknown as of writing. Before then though, The Boys college-themed spinoff, Gen V, is expected to premiere on Prime Video in Fall 2023.

Source: Variety

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The Boys Season 4 Will Change How You Feel About Certain Villains, Star Teases


Starlight actor Erin Moriarty teased that The Boys season 4 will explore various character developments. Based on the comic book created by Garth Ennis and Darick Robertson, Prime Video's television adaptation recently wrapped filming on season 4 in April 2023. Picking up after the season 3 finale, season 4 will see Vought’s flagship superhero team introduce several new faces following Maeve's staged death and Starlight’s defection from The Seven. Meanwhile, Black Noir actor Nathan Mitchell is also set to play a new version of his character after Homelander brutally killed the original masked Supe for withholding information about his father.

Speaking with Collider, Moriarty revealed that The Boys season 4 would continue to provide background information about the show’s unique roster of characters. By giving a deeper understanding as to how certain characters’ personalities came to be, the Starlight actor suggests viewers will reconsider the reasoning behind certain villainous actions. Check out her comments below:

"Every season, we go a little bit deeper with each character. The characters… that you thought would be villains, you start to learn a little bit more about them that perhaps makes you feel, not that they’re good guys, but that there are always gonna be details that you can never anticipate, that prevent you from putting that character in a box."

How The Boys’ Moral Ambiguity Has Helped Redefine The Superhero Genre


Over the past 15 years, the superhero genre has arisen as one of the most influential and profitable forms of popular entertainment in the modern age. Among this evolving cultural phenomenon, The Boys and its special brand of satire boast a unique place of honor in a marketplace already saturated with attempts to capitalize on the superhero craze.

Inspired by some of the world’s best-known superheroes and rampant consumerism, The Boys offers a glimpse at a superpowered world far removed from the kind of clear-cut morality tales on which the genre was first built. Not content to merely upend the view of superheroes as virtuous beings who fight for justice, the show has also provided many of its supes with sympathetic, and often tragic, backstories that give context to their less-than-heroic actions. As Moriarty suggests, the show’s most despicable characters are often presented in a light that prevents viewers from simply putting them “in a box.”

The characters featured in The Boys, superpowered or not, have continued to shock and surprise audiences for three seasons, and based on Moriarty’s comments, season 4 looks set to continue the trend. While other shows and movies have often tried to replicate The Boys' unique blend of humor and social commentary, few have achieved the broad impact and appeal of Prime Video’s hit series. With filming on The Boys season 4 already completed, it will not be much longer until new episodes drop and uncover new revelations about the characters.
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The Boys Season 4 Can’t Outdo Season 3’s Shocking Opening Scene - But Shouldn't Try To



While The Boys season 4 will likely feature some seriously gross moments, the comic adaptation shouldn’t front load these the way the show did in season 3's infamous opening scene. The Boys has always been a gross show. An adaptation of Garth Ennis’s comic book series of the same name, The Boys satirizes superhero tropes with a healthy helping of disgusting humor. The goriest deaths in the series are usually played for dark laughs, whether it is Kimiko beating multiple men to death with dildos or Homelander blowing a civilian’s head to shreds in public before a baying crowd. However, this isn’t always a good thing.

One thing that makes The Boys better than its comic inspiration is the fact that the series is not as gratuitous as its source material. The Boys tended to go too far from time to time in its original comic incarnation, and some of the comic’s grossest shocks wouldn’t have translated to television. Anyone who has read the deeply upsetting scene where Butcher (the ostensible hero of the series) beats a super-powered baby to death will know that The Boys comic sometimes leaned into shock value for its own sake. To its credit, The Boys television show indulges this creative impulse less often. However, it is still an issue for the show.


The Boys Season 3’s Opening Set The Bar Too High For Graphic Scenes


The Boys season 3 opened with a deeply upsetting gag about Termite, a superhero who can shrink down to microscopic size, sneezing while inside another person’s urethra. This led to him immediately involuntarily expanding back to human size, thus tearing apart his sex partner in the process. Usually, The Boys comics are worse than the show when it comes to this sort of stomach-flipping body horror gags. However, in this instance, the sequence still set a high bar for gross-out shock value. This isn’t necessarily a good thing. Now, The Boys season 4 will struggle to match this scene, let alone outdo the image’s impact.

While relatively quick, Termite’s accidental killing is still extremely cringe-worthy. It is a gory moment on par with Glenn’s death in The Walking Dead or The Mountain Vs The Viper sequence from Game of Thrones, and will likely go down in infamy as a similarly shocking moment in television history. However, the fact that season 3 featured this as its opening scene left The Boys with nowhere to go later in the outing. While The Boys season 3, episode 6, “Herogasm.” was a fun outing, the episode was nowhere near as shocking as viewers anticipated. The season wouldn’t have felt so tame if the opening scene of The Boys season 3 hadn’t set such a high bar.


The Boys Season 4 Shouldn’t Try To Match S3's Horrifying Opening


While The Boys’ "evil Superman" Homelander could instantly one-up Termite’s gruesome misdeed in season 4’s opening scene, this is not the approach the adaptation should take. It is easy for viewers to become inured to shocking violence and this can lead to showrunners and writers constantly trying to up the ante. This doomed attempt at beating last season’s viral shock can result in scenes that feel more tasteless and tactless than necessary, as evidenced when Game of Thrones mishandled Sansa’s rape one season after the Viper’s demise. While The Boys generally handles triggering content better than earlier television shows, the adaptation isn’t immune to this risk.


The Boys Season 4 Must Start Slow (Before It Gets Gross Again)


The best way for The Boys season 4 to shock audiences would be for the show to start slower this time and hold off on gory shocks until at least the end of the premiere. This would effectively lull viewers into a false sense of security, leaving them feeling like season 4 may simply be less intense than its predecessor. The Boys has previously thrived on including scenes that audiences would never expect or think would be allowed on screen while remaining engaging. Thus, by holding off a little at the start, The Boys can restore that balance.

As things stand, viewers will enter The Boys season 4 expecting the grossest, most disgusting visuals possible. As a result, even the most appalling imagery won't have much impact on viewers expecting more gore, more shocking images, and more boundary-pushing content. Paradoxically, extreme gross-out moments will likely put new viewers off the show, meaning The Boys season 4 could alienate potential audience members while failing to shock longtime fans. As such, the best thing for The Boys season 4 to do is to start slowly before shocking viewers all over again with more gross delights once their defenses are down.
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The Boys Season 3 Gave Away Its Big Ending Twist Too Early

The Boys season 3 continued the series’ established ability to shock audiences with both its unflinching depictions of brutal violence and its twists, but it revealed its ending turn a bit too early. A vital part of the pleasure associated with this cynical look at the superhero phenomenon has always been the revelation of some key piece of information, a big twist that changes everything viewers thought they knew about the series. In fact, it’s the anticipation of just what revelation will emerge that remains crucial to the appeal of The Boys.

The Boys is the kind of series that likes to keep something back, often waiting until the finale to unleash a shocking moment, increasing the stakes of the action and the next season. Such twists often involve a brutal death that shakes up existing power relations within the series, like Homelander’s lasering of Madelyn Stillwell in The Boys season 1. Each twist also increases the stakes, leading the viewer to wonder just how much further the series and its characters-both Supes and Boys alike-can take their ever-escalating conflict. That said, season 3 gave away its twist far too early.

The Boys S3 Trailer Gave Away Homelander's Final Twist


The trailer for The Boys season 3 contains two key pieces of information that reveal the final twist of the season. In showing Homelander grinning in front of an adoring crowd with the line, “I showed people the real me... I mean they f**king love me,” the trailer makes it clear that the villainous Supes' true nature would eventually become public knowledge. Rather than causing his fans to turn against him, however, the trailer reveals The Boys season 3's dark ending for Homelander, i.e. that his brutal murder of a protester merely increases his popularity.

Obviously, there were numerous clues in The Boys seasons 2 and 3 that this moment has been coming. The actions of the various Supes, particularly Homelander, have become increasingly unhinged and publicly visible, leading to a bit of a crisis for Vought. It is, after all, the company responsible for them, and the public associates with some measure of accountability. In revealing so much of this particular plot point, the trailer robs the revelation of its true emotional impact, to the detriment of both the finale and The Boys season 3 as a whole, since neither has the element of surprise of their predecessors.


How Homelander's True Nature Sets Up The Boys Season 4


The ending of The Boys season 3 finally sees Homelander revealed as the homicidal monster he has been from the very beginning. As a result, the public now realizes that he is capable of destroying anyone who stands in his path, not just “bad guys.” Season 4 will no doubt explore the fallout from Homelander’s killing of a civilian because even though the gathered crowds celebrate this violent act, it’s already been established that many others aren’t so willing to go along with whatever depraved and murderous acts Supes like Homelander may commit.

In some ways, the revelation of the truth about Homelander’s true nature will seemingly make Billy Butcher’s efforts to bring him down easier to accomplish. Season 3 sets up the heightened stakes of their ongoing conflict, particularly since Billy has his own attachment to Homelander’s son, Ryan. Given that neither one of these men knows how to admit defeat, it’s highly likely that The Boys season 4 will show them competing for Ryan’s allegiance, with each trying to sway the public to their way of thinking. The stakes couldn’t be higher for each of them, and their actions will reflect this dynamic.

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The Boys' Most Explosive Massacre Was Originally Much Deadlier

Few moments were more violent and darker in The Boys television series than when Victoria Neuman used her powers to violently explode people's heads during a congressional hearing exposing Vought-American, but in the comics, Billy Butcher's version of the scene was even deadlier. In The Boys #14, Butcher activates a frequency that kills hundreds of Supes at once in his biggest massacre of the series.

Billy Butcher's kill count in The Boys comic book is incredibly high, as he kills many Supes throughout the series. From Butcher making his name literal while killing Soldier Boy to finishing off Black Noir with a crowbar, the leader of The Boys got great satisfaction in taking Supes off the board in his effort to get revenge for the loss of his wife. However, one of Butcher's deadliest moments was changed in a significant way during The Boys television series, as Victoria Neuman using her powers to explode heads during a congressional hearing actually happened much differently in the comics.

In The Boys #14 by Garth Ennis, Darick Robertson, Peter Snejbjerg, Simon Bowland, and Tony Avina from Dynamite Comics, the Supe-hunting team goes to Russia, where they learn that the Little Nina, who recently appeared in The Boys TV series, has been hiding 150 Supes for Vought-American. Billy Butcher confronts the Supes in a warehouse, showing little fear against the superpowered army. After calling them an expletive, Butcher pulls out a switch, and when he presses it, it explodes the heads of all the Supes in the room with a special frequency, in one of his most violent moments in the series.


Butcher's deadliest Supe moment would get adapted in The Boys television series but under much different circumstances. In the TV show, it's Victoria Neuman who ends up exploding the heads of anyone who stands in her way, with her attack on Congress being one of the darkest moments of the live-action series. Instead of channeling a frequency, Neuman's powers are responsible for the massacre at Congress.

The change in The Boys TV series added an extra layer of intrigue to the original mystery of the exploding heads at Congress and set up Victoria Neuman as a deadly secret Supe who would cause major problems going forwards. However, in the comics, Billy Butcher's attack killing 150 Supes at once by popping their heads like balloons remains one of his deadliest single actions, as it's his biggest single takedown of Supes in The Boys. The two scenes might have played out quite differently, but the explosive moment was much darker in the comics.

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The Boys Turns Compound V Into A Real Life Energy Drink


Compound V from the popular Prime Video series The Boys is finally available to purchase - as an energy drink! The dark TV show, based on comics created by Garth Ennis and Darick Robertson, acts as an antithesis of the glorification of superheroes saturating media nowadays with the success of the MCU and certain DC films. In The Boys, super-powered individuals are not the heroes of the story, but often dangerous antagonists that must be taken down. The Karl Urban and Jack Quaid-led series tackles corporate corruption, the privatization of military assets, and the individual thirst for power. The Boys recently wrapped up its third season.

In The Boys, a major plot point deals with the revelation that heroes are created, not born, with the help of a substance called Compound V. Shown as a blue serum, Compound V can also be taken by those already imbued with powers as a heavy-duty stimulant. In season 3, some members of Supe-fighting team the Boys start taking a version of Compound V, Temp V, which offers powerless individuals a temporary dose of superpowers. That serum is coded as green and quickly revealed to be fatal. Now, fans of The Boys can get in on the action by taking Compound V in the form of a new energy drink created by GFuel, a company that creates energy drinks primarily for ESports and gaming.

Sony posted the news via Twitter, along with an image of the new GFuel flavor as both an energy drink and powder. The images feature Homelander and Starlight prominently as the poster children for the real-life Compound V. See the post below:

The marketing of the drink is extremely clever, with plenty of elements in the photos attributing the drink to Vought International. Those details are fitting, since the Supe-owning corporation Vought are the ones in the series that dosed children with Compound V in order to create heroes in the first place. If Vought hadn't had bigger fish to fry, the company would almost certainly have chosen to somehow profit off of their PR disaster following the reveal of Compound V. While they would never offer Compound V on a wide scale since it would render their assets useless, the corporation would definitely find a way to make money off the Supe-creating drug. In fact, The Boys season 3 saw Vought hero A-Train shooting a commercial for his own energy drink, called Turbo Rush, which shows how fitting the partnership between GFuel and The Boys truly is.

Known for its collaborations with pop culture staples such as Naruto and Sonic, it's no surprise that GFuel wanted to get in on the hype for The Boys following a very well-received season 3. The collab between the two properties is satisfying to any fan of the series and will allow viewers to have a taste of either Temp V or Compound V. At the very least, the energy drinks will definitely give fans a boost (though hopefully not as big as A-Train's in the series pilot). As The Boys gears up for a promising season 4, the thrilling announcement that Jeffrey Dean Morgan will feature in the new season has fans even more hyped for the next chapter of the diabolical series.
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The Boys Season 4's Seven Problem May Have 1 Obvious Solution


Warning: Contains SPOILERS for The Boys season 4!!

The Boys season 4 has a big issue with the Seven that was caused by the events of season 3 - but there's already an obvious solution. Throughout the series, a consistent plot point has been the constantly shifting roster of the Seven, with the team's various supes constantly joining the team, leaving the team, or dying. The Boys season 3 left The Seven in a bad spot, with both Black Noir and Supersonic dying, and the series is running out of big-name supes to take their place. However, there is another obvious show The Boys can recruit from.


The Boys is a gritty satirical take on politics and media based on the popular superhero comic of the same name. The series follows the titular group of powerless humans as they attempt to take down The Seven, a superhero team that acts as a dark parody of the Justice League. Supes are constantly joining the Seven, as the violent and mature world of The Boys makes sure that many of the team's members aren't around for long. Thus, the membership count of the Seven is, ironically, rarely seven. While the goal of The Boys' protagonists is to wipe out the various supes created by Vought International, each season promotes new heroes to The Seven, giving the various episodes a unique feel and story.

Most of the main supes in The Boys are either on the team, have been on the team, or they're dead. The Seven is only sitting at five members at the conclusion of The Boys season 3, highlighting the show's big problem: it's running out of supes. Yes, there are technically a ton of superpowered people running around the show, but hardly any of them are powerful enough or beloved by audiences enough to join the team. With The Boys' complex story and various human characters, it's hard to spend time developing new supes that will inevitably be killed off at the end of the season. Luckily, there is another place that The Boys can get new Seven members from: Gen V.


How Gen V Can Perfectly Connect To The Boys Season 4


A The Boys spin-off titled Gen V is coming soon, and it can perfectly fix the show's issue in The Boys season 4. Gen V will follow a young group of supes attending the Vought-run Godolkin University School of Crimefighting, with the students competing in different events and challenges in order to be recruited onto The Boys' various superhero teams. The Boys season 3 already showed Homelander and Starlight's attempts to recruit young supes with the "American Hero" reality show, although its winner, Supersonic, didn't last very long on the Seven. American Hero's failure makes Vought unlikely to try it again, meaning that The Boys season 4 could have Vought pulling heroes from their school of crimefighting. Gen V fixes The Boys' supe problem, as the spin-off series will devote its entire run to developing its collegiate supes. It is already known that Gen V and The Boys will tie into each other, and Gen V setting up supes that can be put into the Seven without The Boys devoting major time to them is the perfect way to do it.


While The Boys may be running out of big-name supes, Gen V will have an all-new batch of characters that would fit in perfectly with The Boys season 4. Goldkin University's champion being included in The Boys would also give viewers a reason to watch the spin-off, since the two shows would be heavily tied together. The Boys season 4 has a big problem, and Gen V is the way to fix it.

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The Boys' Homelander Death Is Perfect Because It Refuses to Respect Him


While Homelander is set up throughout The Boys as the series' big bad, his eventual death perfectly flips this concept by robbing him of his dignity and relevance. An incredibly powerful parody of DC's Superman, Homelander is a brutal bully who ultimately decides to stage a coup on the United States, murdering the president and countless people in a short-sighted grab for power.

Ultimately, Homelander is killed by Black Noir, who is revealed to be a clone of the powerful Supe, tasked with assassinating him should he ever decide to break from the Vought-America corporation's interests. It's Black Noir who ends up being the series' biggest superhuman threat, and Homelander is killed off-panel in a way that not only acts as a thrilling twist, but perfectly undermines the way the character presents himself throughout the story.

In The Boys #65 (from Garth Ennis, Russ Brain, John McCrea, and Keith Burns), Homelander learns the truth. Not only has his 'friend' always wanted to kill him, but Black Noir actually dressed as Homelander in order to frame him for brutal crimes and force Vought to call for his execution. Homelander's own crimes only happened because he believed he'd already done such terrible things, prompting Butcher to hit him with the definitive put-down, "It means you turned into a ****** psychopath by mistake." Homelander begins the issue sitting in the Oval Office, feeling unbeatable, and ends with a profanity-laden tantrum, squaring off against an enemy who brutally destroys him. It's a genius move because it takes a character who'd love to be thought of as a supreme evil and kills him off-panel in a fight against a bigger threat, moments after definitively proving he's never understood what's actually going on behind the scenes.


For most of The Boys, Homelander is held up as an unkillable terror - someone who can't be brought down by normal means, and who plunges the country into chaos on a whim. It's exactly how he presents himself, and yet ultimately it's the lie of someone who has the maturity - as his creator described him to Newsarama - "of a fourteen year old." Homelander's coup is deeply unsuccessful, lasting less than a day and ending with him murdered by Vought's secret weapon and his superhero 'army' mowed down by the military. Homelander isn't actually an unfeeling killer, but rather someone playing the part who is constantly questioning his own actions.


Ultimately, Homelander isn't even in the top three of The Boys' villains, ranking below Black Noir, Vought executive James Stillwell, and Billy Butcher himself. While he sets himself up as a terrifying threat, his death in The Boys pulls the rug from under his and readers' feet by showing he's anything but. Often in pop culture, even the most repulsive villains are given cool or iconic deaths that only serve to validate their importance. The Boys doesn't give Homelander that kind of ending, revealing he's been playing someone else's game all along, and killing him off in a fight that only serves to establish his killer as a far more disturbing and significant villain.

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The Boys Star Shares Throwback Seven Photo To Celebrate Season 4 Filming


Antony Starr confirms that production on The Boys season 4 has begun with a throwback image of the Seven. Concluding season 3 last month, Prime Video announced the show’s renewal within a week of its premiere. Based on a comic book series by Garth Ennis and Darick Robertson, the series centers on the vigilantism of a titular group of misfits determined to expose the dark underbelly of superheroes.

Developed by Eric Kripke, The Boys season 3 saw the introduction of Jensen Ackles as Soldier Boy, the world’s first superhuman and the only adversary of comparable power to Homelander (Starr). Ending with a fittingly shocking finale, it was announced earlier this month that Cameron Crovetti, the teenage star behind Homelander’s son Ryan, would become a series regular in season 4, with new heroes depicted by Valorie Curry and Susan Heyward also set to be introduced. After hinting at a battle for Ryan’s soul between Homelander and Billy Butcher, the casting announcement seemed to confirm Kripke’s story plans for season 4.

Now, Starr appears to have confirmed that production on The Boys season 4 has officially begun, sharing a throwback photo from season 1. "Season one. So long ago," he writes alongside an image of himself in full Homelander costume with the original cast of the Seven, featuring Erin Moriarty as Starlight, Dominique McElligott as Queen Maeve, Nathan Mitchell as Black Noir, Chance Crawford as The Deep, Jessie T. Usher as A-Train, and Alex Hassell as Translucent. Marking the commencement of season 4, Starr playfully adds: “Season four, now we begin ;)” Check out the post below:

Re-tweeted on the official Twitter page of The Boys, Starr’s update seems to align with a statement from his on-screen nemesis, Karl Urban, who previously indicated that production was scheduled to begin on August 22. The filming of season 4 has been repeatedly teased this month, as castmembers including Starr, Crawford, Jack Quaid, and Karen Fukuhara posted pictures en route to the show’s filming grounds in Toronto, Canada. In addition to the core cast, Ackles also appeared to hint at the possible return of Soldier Boy next season, commenting that he was “on [his] way” in a recent post by Urban.

With Kripke and the season 3 finale hinting at some of the show’s most exciting plot lines to date, fans will be thrilled to hear that production on season 4 is officially underway. Though it could be the start of a protracted wait, with new episodes of The Boys not expected to arrive until late 2023, fans can at least expect some ample updates and entertainment from the show’s highly interactive social media accounts. Additionally, it could be that the upcoming Gen V spinoff series will be able to cater to fan appetites as the wait for season 4 begins.
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The Boys Mocks Warner Bros. for Canceling Batgirl, Removing HBO Max Content


Prime Video's superhero satire The Boys is no stranger to mocking the antics of corporations, and its most recent target is Warner Bros. following the studio's Batgirl cancellation.

After merging with Discovery, Warner Bros. made headlines with a series of cancellations, downsizing and pulling content from HBO Max entirely as it prepares to merge with Discovery+. Batgirl and Scoob! Holiday Haunt were shelved despite being far enough in production to be conducting test screenings. HBO Max is firing 70% of scripted production staff, and six original movies were removed from the platform entirely, including Seth Rogen's An American Pickle. Rogen is an executive producer on The Boys and made a cameo last season, so the show's social media used its trademark sarcasm to defend him.

Right on Brand for The Boys
The Boys has two Twitter accounts that regularly collaborate for both promotions and punchlines. @VoughtIntl is an in-universe account representing Vought International, the mega-conglomerate antagonist of the series. It posts content highlighting the various superheroes Vought owns as well as spoofing Disney and other media companies. @TheBoysTV is a more traditional promotional account for the series, although it's known for being vulgar and crass much like the show it promotes.


The Vought tweet mocks the HBO Max and Discovery+ merger, advertising a new monthly subscription fee at an outrageous additional $29.99 per month. It also takes jabs at the regressive demographics used in the company's recent Q2 analysis that suggested superhero content is for men and reality TV is for women. The response from The Boys' official Twitter is delivered in classic Billy Butcher slang while referencing the events of the show's third season: The finale of The Boys season 3 culminates in Vought denouncing both Starlight and Soldier Boy following their attacks on Homelander, so the mega-corporation pulling their content makes canonical sense. Rogen is a notable outlier listed alongside the fictional superheroes.


While Warner Bros. is axing its own superhero content and attempting to rework The Flash and Black Adam to fit with its new plan, The Boys was officially renewed for a fourth season shortly after the premiere of its third as it continues to grow in viewership. The show's lasting popularity may be due in no small part to its inventive and immersive social media promotion tactics.


The Boys is streaming on Prime Video.


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The Boys: Black Noir Can Return From The Dead (At A Serious Cost)



Black Noir can return from the dead and The Boys comic book shows how. Lamplighter's shocking status in the popular Dynamite Comics series reveals The Seven and Vought-American have a method to bring back heroes from the dead. But, unlike other ways to bring heroes back to life from Marvel Comics, such as the mutants resurrection protocol, bringing a Supe back comes with some serious complications.

One of the most shocking deaths in The Boys television series came when Homelander killed Black Noir for hiding the secret of his father, Soldier Boy, from him. Black Noir's death played out quite differently in live-action than in the comics, as unlike the story it would later inspire, the Supe wasn't a former member of Payback who suffered a grave injury impacting his mental capacity, but instead ended up being a Homelander clone killed in his final stand. While Black Noir's death seems permanent, The Boys comic book series showed a way to bring him back to life.

Darick Robertson, Matt Jacobs, Simon Bowland, and Tony Avina, The Legend shares that when The Seven re-emerged after a break following an incident that nearly destroyed their public image, the team returned with a different version of the Supe Lamplighter. Furthermore, the Legend reveals the new Lamplighter was the first ever Supe to undergo Vought-American's resurrection process, as he secretly returned from the dead but at the cost of losing almost his entire cognitive functions. If Vought-American has a similar resurrection protocol in The Boys television series, Black Noir can be brought back to life.


The caveat with the resurrection of Lamplighter is that he's barely alive, as his brain doesn't seem to work well, as he was changed into a shell of his former self. However, if The Boys television series decides to implement its own resurrection protocol, it's possible Black Noir can come back with or without the same limitations, assuming Vought-American can use Compound V to revive him. It would be a lot of fun to see them bring the Supe back in a Lazarus Pit-style way, as Black Noir could be unleashed against Homelander instead of being braindead like Lamplighter was upon his own resurrection.


Black Noir is too important of a character in the comics and television series to stay dead. So, if The Boys decide to resurrect the hero, they already have a built-in way of doing so. Although, Black Noir's potential resurrection would hopefully go quite differently than Lamplighter's, as the Supe in The Boys has already suffered enough trauma to come back even lesser than before like his fellow member of The Seven.

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'The Boys' Season 4 Adds Two New Faces & Promotes Cameron Crovetti to Series Regular



After we all got a load of The Boys’ explosive Season 3 run, it’s time to start gearing up for the next season of the Prime Video superhero series as new cast members are added to the bulging slate of actors. Today, the streaming platform announced that Valorie Curry and Susan Heyward are joining the cast, and that Cameron Crovetti is being upped to series regular for Season 4. The series will continue to chronicle the life of superheroes who often abuse their superpowers for personal gain, but keep a friendly facade to society.

Crovetti is known by The Boys fans as the super-powered son of Homelander (Anthony Starr), who was born under horrible circumstances. At first, it was thought that Ryan had no powers, but his abusive father managed to push him to his limit in order to reveal he could be just as powerful as the leader of The Seven. Crovetti also starred in critically acclaimed projects like HBO series Big Little Lies, and is on the upcoming remake of cult horror film Goodnight Mommy.

Curry is fresh off another series: She starred in Peacock’s The Lost Symbol, and was also in another Prime Video super-hero series: The Tick. The actor was in other high-profile shows such as The Following, House of Lies, and Veronica Mars. In the cinema, she starred opposite Ewan McGregor, Jennifer Connelly and Dakota Fanning in American Pastoral, and was also in The Blair Witch Project sequel. In The Boys, she will play the superhero "Firecracker".


Heyward is known for her role as Tamika in the final seasons of Netflix’s hit series Orange is the New Black. She was also in The Following, Vinyl, and Powers, and most recently starred in OWN’s Delilah. In cinema, she starred in the horror remake Poltergeist, as well as in The Light of the Moon and Radium Girls. She was cast in The Boys as “Sister Sage”.

Season 4 of The Boys is still in early production. However, The Boys’ universe is moving fast not only with its spin-off animated series The Boys Presents: Diabolical, but also with Gen V – a spin-off young adult series that centers around super-heroes that go to a college run by Vought. The title is a play on Gen Z and Compound V, the artificial drug that gives superheroes in The Boys universe their powers, and is injected in them as babies.

Prime Video is yet to announce further details from The Boys Season 4, as well as a release date for Gen V.

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It's Time To Hate Billy Butcher Becouse,



Billy Butcher walks the line between antihero and villain but The Boys season 3 confirms that it is finally time to hate him. While he may be an antihero, he isn’t a sheep in wolf’s clothing, like the case with many misunderstood antihero characters. Butcher (Karl Urban) is inhumane, but he is often paired against the Supes who are committing horrendous acts. But just because Butcher’s actions aren’t as monstrous as Homelander’s, doesn’t mean he isn’t a monster who deserves to be treated as such.

Season 3 depicts Billy Butcher and Hughie taking a Temp V to get powers. While season 2 centers around Hughie's hatred for Butcher, The Boys season 3 brings the two closer together. After learning that Temp V causes deadly side effects, Butcher still recruits Hughie for his plan. When he decides to spare Hughie and go by himself, Hughie is grateful when he should've been angry at Butcher's decision to sacrifice him without his consent.

Hughie's rejection of Butcher is essential in maintaining the core themes of The Boys. This is demonstrated in the season 1 finale where Hughie decides to save A-Train instead of letting him die. While Butcher kidnaps and straps a bomb to Stillwell, he proves he will stop at nothing to kill Homelander. The Boys' core theme points out that revenge doesn’t solve anything; it will not bring back what has been lost and it just adds to the violence and destruction in a corrupt world. While Mother’s Milk, Frenchie, and Kimiko may all reject Butcher’s antics, Hughie is the show’s protagonist, the audience’s vessel who reacts to Vought’s craziness as a normal person would. Hughie’s acceptance of Butcher goes against the show's theme outlined at the end of season 1. When Butcher decides to take Temp V alone, Hughie cries out that Butcher saved him. This is not only unrealistic, but it further forgives Butcher’s monstrous actions. There's no question that he's now become a villain.

Why Butcher Can't Escape Punishment In The Boys Season 4


The Boys season 3, episode 8 sets up Butcher’s dark and tragic ending and reveals that he is dying from Temp V abuse. After Starlight tells Butcher that three doses can end in death, he continues to use the experimental drug to even the playing field between himself and the Supes. Since he suffers from immense guilt over his brother Lenny's suicide and his wife Becca's death, he doesn't care what happens to him. Butcher will always seek revenge first, and he doesn't care who he hurts in the process as he already views himself as a monster. It is fitting that Butcher would hurt himself in the end, as this is not only what Butcher expects, but what the show needs.

It becomes clear in The Boys season 3 that Billy Butcher is the show's true villain. While the parallels between Homelander and Butcher are subtle in the first two seasons, the comparisons are much more apparent in season 3. Butcher may be incapable of realizing how pointless his quest for revenge is, but that doesn't mean he deserves sympathy. Butcher is not a hero because he decides to spare Hughie at the last minute; he's a monster for considering sacrificing Hughie's life. The Boys may be violent, but ultimately it shows the meaninglessness of violence and revenge while promoting a very strong undercurrent of love, forgiveness, and acceptance. However, this message will not be clear until Butcher gets his due.

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The Boys' Best Herogasm Joke is A Secret Only Comic Fans Will Get



One of the most shocking arcs of The Boys' might have developed a reputation for its graphic content, but the comic reveals that there's a secret meaning behind the supes' most infamous orgy.

Garth Ennis and Darick Robertson's The Boys is a mature deconstruction of the superhero genre that isn't afraid to showcase the lurid nature of costumed heroes. While the characters of DC and Marvel comics are as straitlaced as they come, the 'heroes' of The Boys engage in behavior that's unbefitting of noble archetypes. Few arcs in the series showcase the wanton behavior of its heroes more than The Boys' "Herogasm" storyline, which featured a giant superhero orgy that all of the comics' heroes attended. The arc was adapted briefly in the Amazon adaptation of The Boys, though the event wasn't the episode's focus and, amazingly enough, wasn't anywhere near as graphic as the comic.

But before the supes of the world could attend the event of the season, they had to prepare the Earth for the sudden departure of every major hero from the planet. In The Boys: Herogasm #1 by Garth Ennis and John McCrea, Homelander (the most lauded supe in The Boys) calls for a press conference. The hero informs the public that a hostile alien race known as the Battelite of the Marith'rai system have entered the solar system and that every supe is heading to space to stop them. Of course, this is just a cover story for the public while the heroes attend Herogasm. But, it's clear from the speech that this isn't the first time they've pulled this stunt, especially once Homelander mentions the names of other events that have served as covers for previous Herogasms.


“Civil Dispute,” “Downcount,” “Final Fracas.”—if these names sound familiar it’s because they’re all riffs on comic book events such as Civil War and Final Crisis. While The Boys has always worn its comic book influences on its sleeves, this is perhaps one of its most pointed ribs towards the comic book industry yet. The barely-changed names and the entire concept of Herogasm is meant to do one thing and one thing only: skewer the beloved tradition of comic book events.

The Boys receives a lot of attention for its dark and depraved spin on superheroes, portraying them as jackasses at best and at worst, cruel monsters. For all the depictions of violence and sexuality, The Boys is a parody of comics. While the Amazon show embraced Herogasm's shocking portrayal of superhuman debauchery, it misses one of the key aspects for what worked with the comics. Giant comic book events are one of the genre's most notable storytelling conventions. They're usually meant to be giant game-changing arcs that set up bold new directions for superheroes. But The Boys mocks the entire idea by having it just be PR so that the heroes can indulge in their most base behavior. Herogasm is just another part of The Boys' overall roasting of the comic book industry and its best joke proves it.

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Who Plays Young Six In The Gray Man (The Boys Connection Explained)



The actor who plays young Sierra Six in The Gray Man’s flashbacks is already playing one of the most notable child roles on TV. Netflix’s The Gray Man is adapted from the 2009 book of the same name by Mark Greaney, following Sierra Six, a CIA mercenary who uncovers dark secrets about the agency while on a mission. Starring Ryan Gosling as Six, Ana de Armas as his CIA ally Agent Miranda, Regé-Jean Page as the antagonistic Denny Carmichael, and Chris Evans as the rogue mercenary Lloyd Hansen, The Gray Man continues Netflix’s trend of placing A-list stars in big-budget action thrillers.

As The Gray Man uncovers how Ryan Gosling's character became the ruthless agent Sierra Six, the Russo brothers’ movie cuts to his past with quick flashbacks. The Gray Man reveals that Sierra Six, whose real name is Courtland Gentry, was physically and emotionally abused by his father as a child, whose “unsound” methods of making him and his brother “macho” included drowning him in bathtubs and burning him with cigarettes. The flashbacks eventually uncover that young Six landed himself in prison at 15 years old when he shot and killed his father in order to stop him from murdering his brother.

While The Gray Man’s flashbacks only make up a small portion of Court Gentry’s depicted story, young Six is portrayed by a significant up-and-coming child actor. His face is largely hidden in the flashbacks, but it’s clear that The Gray Man’s young Six is played by Cameron Crovetti, who is best known for playing Ryan Butcher on Amazon Prime’s The Boys. As the son of the villainous superhero Homelander and Billy Butcher’s wife, Ryan plays an incredibly important role in The Boys, with Cameron Crovetti having to increasingly show his acting chops as his father influences his moral decay. The Gray Man’s Cameron Crovetti also starred in HBO’s Big Little Lies as Josh Wright alongside his twin brother, where his character was once again the son of a sociopathic father.

The Gray Man Proves How Incredible Ryan’s The Boys Season 4 Story Will Be


The biggest roles of 14-year-old Cameron Crovetti have seen him portray sons who must overcome the immorality of their fathers, with his portrayal of young Six being an apt precursor to his character Ryan’s arc in The Boys season 4. Crovetti’s young Six is trained by his father to lose any sense of morality as he preaches being physically strong with no sense of emotional attachment, which are the same lessons that Homelander tries to teach Ryan in The Boys. The sinister ending of The Boys season 3 sees Ryan smiling after Homelander is greeted by a cheering crowd when sadistically murdering a critic, suggesting his moral decay is already setting in.

Crovetti’s role in The Gray Man has already proven that he can portray a young teen being abused by his father, whose “methods” end up still turning him into a killing machine. Homelander’s way of raising Ryan will seemingly produce similar results, with Ryan also perhaps being the only way to truly kill Homelander. It’s hinted that Ryan could become evil in The Boys season 4, but the more likely scenario is that Homelander’s abuse will eventually turn his son against him, seeing a transition similar to Six in The Gray Man. Like Six’s skills with a gun and his fists making him useful for the corrupt CIA, Ryan’s superpowers make him a weapon for the government and Vaught, but this likely won’t become fully realized until he kills his father. Even if the stories end up diverging, Crovetti’s The Gray Man role perfectly sets up the core conflict that Ryan will face in The Boys season 4.

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The Boys: [SPOILER] Is Better Off With Homelander



Homelander stands out as one of the greatest we-love-to-hate-him villains in modern television, with The Boys holding nothing back in showing how the violent narcissist persists in being one of the greatest threats to his world. All the more terrifying is that the sociopath's fan base in the context of the show only ever seems to grow, with the recent season finale culminating in Homelander publicly executing a protestor and receiving a crowd full of cheers from his ardent followers.

What made the moment even more terrifying was the presence of Homelander's son, Ryan, newly joined at Homelander's side and built up to one day inherit all of his father's power. Homelander raising Ryan certainly seems like a terrifying prospect, but as chilling as it might be there is one possibility that stands out: What if this is actually good for the kid?


The possibility that Homelander could raise a second version of himself to plague the world even after he is gone has been a chilling prospect ever since the end of the show's first season. Kept a secret both from Homelander himself and the world at large, Ryan grew up in an isolated government home where his mother did her best to ensure Ryan would be nothing like his biological father. When Homelander first discovered Ryan's existence, the star-spangled psychopath's issues with his own sheltered upbringing motivated him to try to take charge of Ryan's childhood.

With budding powers that hinted he could one day be the equal of Homelander himself, Ryan's mother did little to nothing to teach the boy about his potential. Fearing it would lead him down the same road of megalomania, she instead tried to provide Ryan an aggressively normal upbringing in spite of his isolated surroundings. And in the second season of the series, the results already proved unhealthy for the child. Easily overwhelmed, often naive, and almost entirely incapable of controlling powers that only ever get stronger, it's well past time that Ryan gets the tutelage from Homelander that he deserves.

It's notable that within the closing moments of the finale itself, when Homelander barely had charge of Ryan for any time at all, he taught his son how to fly. Neither his mother, nor the retired government agent Mallory who took charge of him following his mother's death, seemingly made any efforts to teach the boy to control such abilities. Homelander may be right when he says he is the only person in the world who fully understands what Ryan is going through, and if he truly ever is going to stand up to his father to provide the salvation the world needs then he's going to need to know how to use those powers.


The obvious dilemma involves Ryan's moral education. Prone to murderous tantrums and revealed to be suffering narcissistic hallucinations himself, Homelander is poorly equipped to raise a true hero. Yet Ryan's sheltered upbringing certainly seemed to be doing him no good in that department either, and the boy willingly joining Homelander's side may be the only way for him to finally grow past his naïveté to learn the horrors of which the supes of The Boys are capable.

There is no telling what direction Ryan might go from here. Indeed, despite his problems, Ryan has thus far proved to be a sweet boy with a rare innocence in such a gritty and morally depraved world. The best-case scenario is that he holds onto a piece of that innocence as it guides him through Homelander's attempts at corruption.

With a firm moral center and armed with Homelander's teachings about how to use his powers to their fullest potential, it's possible that Ryan could grow into the greatest true hero in his world. There will surely be plenty of missteps and a lot of mangled corpses along the way, but there's truly no limit to how high the boy can soar.

Season 3 of The Boys is now streaming on Prime Video.

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‘The Boys’ Eric Kripke Says “F— You” to Creators Comparing Their Shows to 10-Hour Movies

Fresh off the resounding success of The Boys Season 3, its creator Eric Kripke has taken the opportunity to give his opinion on how some streaming shows have opted to feel like 10-hour movies. The rise of streaming has led to an improvement in several aspects of series development, but Kripke believes that adhering to a film's pacing for the entirety of the season is a step in the wrong direction.

While talking to Vulture, Kripke commented on the current state of streaming television, pointing out how many filmmakers who make the jump to the media platform fail to understand the functionality of a TV show format. He does not make reference to any particular project, but it's clear he feels strongly about how some recent shows look to stall the audience until the very last episode. Here is what he said:


“The downside of streaming is that a lot of filmmakers who work in streaming didn’t necessarily come out of that network grind. They’re more comfortable with the idea that they could give you 10 hours where nothing happens until the eighth hour. That drives me f—ing nuts, personally.”

He then doubles down, referencing his own experience working in network television before developing The Boys.


“As a network guy who had to get you people interested for 22 f—ing hours a year, I didn’t get the benefit of, ‘Oh, just hang in there and don’t worry. The critics will tell you that by Episode 8, shit really hits the fan.’ Or anyone who says, ‘Well, what I’m really making is a 10-hour movie.’ F—k you! No you’re not! Make a TV show. You’re in the entertainment business.”



Before handling dark superhero satire for the streaming service, Kripke worked on Supernatural for The CW for 15 years. A fan-favorite series from the network, he had to ensure every episode of the 22-episode long season felt essential on a week-to-week basis. But don't get it twisted, despite his criticism, Kripke states that he will never go back to network television, siting the "logistical benefits" of creating a coherent story across several episodes with room to remove or add anything along the way.

​​​​​​​Although The Boys showrunner does not name a particular series, it seems that his opinion may be attributed to the relatively-recent flow of filmmakers making the jump to streaming. Perhaps shows like Obi-Wan Kenobi or Moon Knight make his list of sins, two Disney+ projects originally imagined as theatrical movies before being converted to a 6-episode limited event series. The latest season of Stranger Things could be a culprit as well, but that two-part installment reached past 13 hours on a modest nine episodes.

As his assessment of the state of streaming television makes waves, fans of The Boys can catch the entire critically-acclaimed Season 3 on Prime Video. No release date has yet been confirmed for the upcoming fourth season. Until then, you can wait in anticipation of the arrival of Gen V, a spinoff focused on college-aged superheroes now in production.
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The Boys' Version of Infinity War Shows Why They Don't Have a Thanos

While many Marvel and DC Comics heroes and villains have been parodied throughout The Boys, the comic's version of Infinity War revealed why there was never a satirical take on Thanos. In The Boys #22 from Dynamite Comics, it's revealed that a deadly incident forced numerous in-universe comics to be scrapped and rewritten, so the word "war" was removed, ultimately changing The Seven's Infinity "War" into "The Infinity Debate." That meant no big bad villain to avoid scaring the general public.

In The Boys comic book series, the incident that changed The Seven forever occurred in the story's version of 9/11. In The Boys #21, the superteam attempt to save a hijacked plane, only for Homelander to lose control and start killing innocent people they were trying to protect. Ultimately, Homelander's actions would lead to the death of not only his fellow Supe, Mister Marathon, but led to the plane crashing into the Golden Gate bridge, killing thousands of people. With the incident, the in-universe comics that gave the public fake stories that made them idolize the real-life Supes drastically changed their stories, which explains why there was no "Infinity War" or version of the villain Thanos in the series.

In The Boys #22 by Garth Ennis, Darick Robertson, Simon Bowland, and Tony Avina, Hugie learns about the history of The Seven from The Legend, the man who penned the in-universe comic book stores that essentially served as propaganda for Supes. He reveals that after the plane crash, The Seven were forced to stay out of the public eye, as Victory Comics, the universe's version of Marvel Comics, stopped all their comics from publishing while scrapping, rewriting, and changing stories to avoid mentioning the word "war." It was a concerted effort to avoid portraying the heroes in a violent light. As a result, their version of the Thanos-starring Infinity Saga became "The Infinity Debate," as The Seven never had their own overarching villain.


Considering the Infinity Saga in The Boys universe became the Infinity Debate, it explains why they never had a parody version of the villain Thanos. Victory Comics didn't want to draw attention to the deadly incident with The Seven, so in-universe comics were changed to reflect that - potentially canceling out any Thanos-level thread they'd face in the stories.

With all that said, that doesn't mean that a version of Thanos isn't out there somewhere in The Boys universe. But, in the in-universe comics showing the most incredible (and made-up) feats of The Seven, the Infinity Debate took a much lighter approach than the Infinity War comics from Marvel as they wanted to portray the Supes in a non-deadly manner, which meant no parody of the villain Thanos.

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